Perfect duet il corsaro nero
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Both died in infancy while Verdi was working on his first opera and, shortly afterwards, Margherita died of encephalitis on 18 June 1840, aged only 26. They were married on, and Margherita gave birth to two children, Virginia Maria Luigia (26 March 1837 – 12 August 1838) and Icilio Romano (11 July 1838 – 22 October 1839).
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Returning to Busseto, he became the town music master and gave his first public performance in 1830 in the home of Antonio Barezzi, a local merchant and music lover who had long supported Verdi’s musical ambitions in Milan.īecause he loved Verdi’s music, Barezzi invited Verdi to be his daughter Margherita’s music teacher, and the two soon fell deeply in love. During the mid-1830s, he attended the Salotto Maffei salons in Milan, hosted by Clara Maffei. Milan’s beaumonde association convinced him that he should pursue a career as a theatre composer. He took private lessons in counterpoint while attending operatic performances and concerts, often of specifically German music. Verdi went to Milan when he was twenty to continue his studies. It was in Busseto that Verdi was given his first lessons in composition. When he was still a child, Verdi’s parents moved from Le Roncole to Busseto, where the future composer’s education was greatly facilitated by visits to the large library belonging to the local Jesuit school. “So it happened that for the civil and temporal world Verdi was born a Frenchman.” The day after that (Tuesday), Verdi’s father took his newborn the three miles to Busseto, where the baby was recorded as Joseph Fortunin François the clerk wrote in French. The next day, he was baptized in the Roman Catholic Church in Latin as Joseph Fortuninus Franciscus. The baptismal register, on 11 October lists him as being “born yesterday”, but since days were often considered to begin at sunset, this could have meant either 9 or 10 October. Verdi was born the son of Carlo Giuseppe Verdi and Luigia Uttini in Le Roncole, a village near Busseto, then in the Département Taro, which was a part of the First French Empire after the annexation of the Duchy of Parma and Piacenza. Visionary and politically engaged, he remains – alongside Garibaldi and Cavour – an emblematic figure of the reunification process of the Italian peninsula (the Risorgimento). Moved by the death of compatriot Alessandro Manzoni, Verdi wrote Messa da Requiem in 1874 in Manzoni’s honour, a work now regarded as a masterpiece of the oratorio tradition and a testimony to his capacity outside the field of opera. His works are frequently performed in opera houses throughout the world and, transcending the boundaries of the genre, some of his themes have long since taken root in popular culture, as “ La donna è mobile” from Rigoletto, “ Libiamo ne’ lieti calici” (The Drinking Song) from La traviata, “ Va, pensiero” (The Chorus of the Hebrew Slaves) from Nabucco, the “Coro di zingari” ( Anvil Chorus) from Il trovatore and the “ Grand March” from Aida. Verdi dominated the Italian opera scene after the eras of Bellini, Donizetti and Rossini.
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Verdi and Richard Wagner are considered the two preeminent opera composers of the nineteenth century. Giuseppe Fortunino Francesco Verdi ( Italian: 9 or 10 October 1813 – 27 January 1901) was an Italian Romantic composer primarily known for his operas.